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| Lambretta - Bimbo |
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-=Lyrics=-
Who´s she blowing kisses from the catwalk
Tell me, I really gotta know
Since when did you need another girlfriend
since when, I really gotta know
I really gotta know
She´s been faking since day one
a friendly kiss includes no toungue
Who´s she, tell me
Now she´s sleeping in my bed
Oh God I wish that she was dead
I need to know
Who´s that bimbo
Who´s she looking goofy in a Gucci dress
what´s that , I really gotta know
Which bone in her body should I break first
which one, the bimbo´s gotta go
the bimbo´s gotta go
She´s been faking since day one
a friendly kiss includes no toungue
Who´s she, tell me
Now she´s sleeping in my bed
Oh God I wish that she was dead
I need to know
Who´s that bimbo
I know it´s sad
sometimes I just lose my head
boy I´ve been getting so mad
I know it´s sad
sometimes I just lose my head
I know it´s sad
sometimes I just lose my head
boy I´ve been getting so mad
I know it´s sad
sometimes I just lose my head
She´s been feaking since day one
a friendly kiss includes no toungue
Who´s she, tell me
Now she´s sleeping in my bed
Oh God I wish that she was dead
I need to know
She´s been faking since day one
a friendly kiss includes no toungue
Who´s she, tell me
Now she´s sleeping in my bed
Oh God I wish that she was dead
I need to know
Now she´s sleeping in my bed
Oh God I wish that she was dead
I need to know
Who´s that bimbo
Tags : lambretta labretta bimbo rock pop |
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Affichage : 130547
Durée : 215 s |
| Bimbo's Initiation (1931) |
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With the release of Richard Linklatter's
feature-length cartoon version of a Philip K. Dick
novel, I thought it a good opportunity to turn,
however briefly, to what is still, to me, the gold
standard in animated cinema.
People who apply the term 'Surreal' to films
produced in the early 30s by Max and Dave
Fleischer are really missing the point. Indeed
there are elements that correspond to that swell
in the tidepool of European formalism, but to say
that it's a defining characteristic (or even an
important one) is to, in the same breath, dismiss
everything that made their work so unique.
As is plain in even a gem as dark as their 1931
film Bimbo's Initiation, the Fleischers were not
just following the aesthetic footprints of Old
World models, they were running on the freedom
granted them by the knowledge that the only
restraint on their vision was the limits of their
ability. Nothing else accounts for the
exhilaration in the center of their finest work.
This was a time when popular art accomodated the
strange and the unkempt and the lurid and the
beautiful far more easily than any point since, a
circumstance that brought forth the wild ether in
which something like 'Bimbo's Initiation' could be
created.
There's more joy and horror in thses seven minutes
than in all the latter-day cartoon emanations of
the last quarter-century.
Tom Sutpen
Tags : Animated Cinema Fleischer Brothers Bimbo |
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Affichage : 28254
Durée : 378 s |
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