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| CRUCIFIXION |
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De cuántas formas se crucifica a jesús hoy dÃa
en cuántos lugares se planifica la muerte de
cristo hoy..... Cuáles son los verdugos del
Cristo de nuestros dÃas... una visión de Oscar
Grullón por los lugares donde ahora mismo están
asesinando a Antonio Jesús,a Pedro Jesús, a
Carlos Jesús.... Cada imágen representa un
gólgota moderno, cada imágen representa un nuevo
Judas, un nuevo Pilatos, un sanedrÃn de nueva
data... Un llamado a la
sinceridad y al cambiohecha por Oscar Grullón EN
UNA SEMANA SANTA CUALQUIERA. CORTO ANTROPOLOGICO.
Tags : crucifixión oscar grullón gerardo el cuervo mercedes circuito cultural cara mana caramana video antropológico abuso |
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Affichage : 438
Durée : 514 s |
| Padre Engo - Crucifixion |
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I want you all to love sad sick people.
About PADRE ENGO
At the end of every World Age a Dark Shamanic
Warrior (Mahdi) dances with his primeval ancestors
in the 4 Winds of Fate and purifies the entire
planet with astral fire and brimstone. This black
messianic mission belongs to only one very brave
and creative soul. His name is Padre Engo the Last
Divine Messenger. He is the Moorish magus and Palo
Mayombe high priest who chooses at this time to
wear the mask of a musician. Like Robert Johnson
and Jimi Hendrix, Padre Engo is a gifted Voodoo
Child from the other side of the Kalunga Line. He
is the voice of the modern Bantu Outlaw and
student of Dark Moorish Science and 21st Century
Black Nationalism. Like the dreaded leaders of the
Haitian Bizango and Makaya Cults, Padre Engo plots
spiritual and cultural revolution with the help of
the Darkside. His music is a very potent wanga.
This digital voodoo spell has the power to lift
the Veils of Nature and raise millions of Black
and Latino zombies from the stupors of the
alluring West. Padre revives with experimental
music and film all the infernal rules and rituals
practiced by the militant African and Native
American animists that opposed oppression in the
so-called New World. His hypnotic dance music
spans the entire African diaspora with the
underlying spirit of the Palo Kongo Mystery
Religion that came about as a result of enslaved
Black Portuguese exiles (Andalusian Black Jews and
Black Muslims) from Central Africa seeking refuge
in the Black Moorish communities that existed in
all parts of the Western Hemisphere 900 hundred
years before the trans-Atlantic slave trade.
Bringing forth a torrential rain of words, Padre
Engo calls on fire, water, earth and sky to help
him deliver his apocalyptic message and curse the
Christian West. This is music that was made to
spread a particular current of thought. Padre Engo
is the Prophet of New Black Medieval Era, a sacred
cycle of time that coincides with what the West
African mystics of ancient Mexico described in
their shamanic traditions and myths as the New
World Age that begins in 2012. The pre-Columbian
Moorish and Black Indian Spirit Actions that
animate Padre Engo's Cuadro Espiritual have shown
him aspects of the world after 2012. Like the West
African griots and gifted blues singers of old
time, Padre's musical sermons are a record of the
past, present, and future. Only small group of
people will be in a position to really appreciate
his revolutionary message because what is about to
be heard is something that is without a doubt way
ahead of its time. Nevertheless, many are destined
to dance for decades to his interpretations of the
Bantu-inspired musical tradition that has its
roots firmly planted in the Black Moorish culture
that existed on the islands of Cuba and Haiti long
before the advent of the trans-Atlantic slave
trade. Also, Padre Engo is a blend of many musical
styles. He is Afro-beat, Latin rock, funk, dub,
trip-hop, apocalyptic folk, blues and underground
hip-hop and shake. Just try and imagine Ali Farka
Toure, Robert Johnson, Bob Marley, Carlos Santana,
Grace Jones, Peter Gabriel, Manu Chao, Dead Can
Dance, Tricky and Current 93 all wrapped into one
package. Padre is all these things and a lot more.
His music is black magick. He came to make the
Christian West dance while he cracks his Whip of
Fire and Lightning bolts. His lyrics are
imaginative along with the tracks. You not only
dance to the music, but also meet the angry Indian
Tribes that made diabolical pacts and treaties
with the Changani Ntoto line of Santo Cristo Buen
Viaje. Dead black Moorish Arawaks, Tainos, Aztecs
and Cherokees possess the dance floor while you
sweat. At the End of Time, this is the place where
the living and the dead dance to the whip and the
drum. Yamboaki Spirits are dancing and singing
along with you as you indulge in these hot, funky
spiritual grooves. You can go on Shamanic Journeys
to the past and the future all at once. Instead of
trying to take the Children of Kalunga Ndoki back
to an Africa that no longer exist, this remarkable
roots and culture singer heats up the tribal blood
that flows across the Black Diaspora. Padre's
congas, cowbells, shakers, funky basslines, Latin
guitars and phantasmagoric lyrics help us channel
while we dance the lost ancestral wisdom that lies
dreaming in the heart of the Americas.
Tags : Ha ha never learn ever find me in every age childern |
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Affichage : 3671
Durée : 214 s |
| Hellhammer - Crucifixion |
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A quickly thrown together, Hellhamer tribute
video.
Lyrics:
Crucifixion
Crucifixion they called the game
Bestial penalty, a deadly maim
Crucifixion, the way that sinners go
Holy torment, last malice ya got to know
Crucifixion, crucifixion
Bloody Hell, I won't die here
Crucifixion, crucifixion
I'm bloodcovered in pain an' fear
Hundreds of years they raised the cross
Evil dark priest(s), black stones they toss
The bible, it prayses that bloody wood
A priest, he prays with an uncanny hood
Rusty nails sended them straight to hell
Illtreated, they just got their souls to sell
Crucifixion, the way that sinners go
Holy torment, last malice ya got to know
Tags : Hellhammer Crucifixion Black metal Tom Warrior Celtic Frost Martin Ain |
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Affichage : 24457
Durée : 164 s |
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