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| Leslie & Amine - Sobri |
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Oh, oh, oh, oh, Raï n'b fever
Leslie ... oh, oh, ueh, eh, kore et skalp
Oh, oh, oh, oh, Raï n'b fever (1)
Il me faut au moins un signe de toi
La preuve que tu te débats
De ceux qui sont braqués sur moi
Mat'khafich, mat'khafich
Je veux être l'objet d'un choix
Mais faudra t'y faire désormais
Les tiens me semblent si mauvais
Sobri ya hamri
Et peu m'importe à quel prix
Il faudra payer mes cris
Je ne serai jamais de ces avis
Qui brisent notre vie
Tu m'as donné
Ce que je n'avais envisagé
La force pour moi oh d'espérer
Qu'un jour au moins on s'unirait
Refrain
Hamri hourri ou mat'rrrohi
El hayette ma sayh'lile
Ne cherche que la porte
Qui te conduira vers moi
Au bout de ce chemin,
Il y aura là notre destin
Ma hamri ma n'halik
Sobri ya hamri
Mé had nharrr ou goutli britini fel halal
Ou rrhaleme larrrbi scounti fi golbi
T'es aussi dans mon coeur
Bel farha kademtini
Oualidik ma habouni
Galbi majrouh ou bkiti
Je ne pouvais pas savoir
A la asseli
A la ouji mat'habouni
Mat'hali oualidék saha britini
Tu m'as donné
Ce que je n'avais envisagé
La force pour moi, oh, d'espérer
Qu'un jour au moins on s'unirait
Refrain
Haïfine kabrine raltine sobri
Haïfine kabrine raltine sobri
Et si j'abandonnais tout ce que j'espérais
Je me condamnerais
A cette histoire bafouée
Mais pourquoi résister
A tout c'qu'on partageait
J'avoue, je pleurerais la perte de ton être
Oh, oh, el oualidine li an doume el kelma
Ne les laisse pas séparer nos ch'mins
Kounou sabrine ma tkounou zerbanin
Oh, oh, la mat ouili hayati ma sahaline
Ne cherche que la porte
Qui te conduira vers moi
Oh, oh, yalaba maquoui woualidik
Li ma braouni
Oh, oh, oh, oh, oh, oh, oh,
Tags : Leslie Amine Sobri |
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Affichage : 434247
Durée : 211 s |
| HOW WE GO OUT VERSION 2 |
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Shot in Ames, Iowa. With local peeps. This song
is on the 3rd album by Leslie Hall. Add Song To
Your Myspace Profile
http://www.myspace.com/lesliehall
By request...the lyrics...
Wick wicky wicky wack
On the way to the club we pass a Dairy Queen
You stop cause it you know it means so much to me
We take the back seats out of your mini van
Now we roll like a hummer or a full size sedan
Now park this thing real close to the club
And feel free to break out the golden lady rug
And hold my hand when we approach the bouncer
I don't wanna look like a hungry camp counselor
CHORUS:
Cause this is how we go out
In my town roll down the windows
Let Reba crack the bass
Wave to the hot pocket people with the smiles on
they're face
Waiting and wanting just a good time on the dance
floor
Shake it if you wanna hear more
Stomp once to hear Britney
Now twice for Beyonce
Now three times if you wanna hear me get nasty
(girl get nasty)
All I wanna do is the ziga-zig ahh
A little louder now cause I can't hear yea
You get me hotter than a stick a hot glue
And I'm scrapbooking everything we do
Ring ring ring- that's my cell
Bring the bling when I sing of course I will
Hand it to me to get the people shocked
Myspaced by my lovers can you hear my beat talken
It says I love you
I arrive looking good and thankfully
My pants do stretch which allow me to be
Free on the dance floor but not a cheap date
I poured the body glitter on cause I never
hesitate
Now my master plan is to shock then tease
Break ever heart than bust my knees
Proven and groven my brand new dance
Might just be the greatest in the lands
Then the crowd says ahhhhhh when I do my scissor
kicks
Then the crowd screams ohhhhh when I do my lady
flips
CHORUS
It's two o'clock and the club is closed
Everyone's heading home
I'll see you next weekend
Then I get a tip about a party
Three blocks away
Chorus
Tags : leslie hall gem sweater lys iowa ames mona muse laura dewaal tv gold pants unsigned |
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Affichage : 1614373
Durée : 224 s |
| Ryan Leslie "Diamond Girl" Official Video - Rough Cut |
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This is the edit of the video that premiered on
BET's 106 & Park on Friday, April 4th. Since it's
my channel, I've added some sound design to the
version that aired.
As I posted in my previous video, I had a huge
vision for this video to feel like a live
television performance that gave tribute to a
James Brown piece I saw on the Ed Sullivan show.
I saved up my money and had the EXACT same stage
built that James performed on. I then hired a band
to cut the live version. After that, I worked with
everyone on the stage to have that throwback vibe.
I paid to shoot the performance on a blue screen
with the intention of having the set of the Ed
Sullivan show digitally recreated behind me. My
label disagreed.
They felt that the live version felt too much like
a remix.
They also felt that we needed to rush on the video
so the final edit came back without the digital
stage - just changed the blue to black and added
some lights, and cutaway graphics of diamonds.
My original treatment called for the video to be
set in the late 60's just like James Brown's
performance. I wanted to have families huddled
around the television watching this performance
like they used to back then.
When I got to LA to shoot, the entire set was
modern and a piece of me died. My vision was
compromised. Rather than be an ungrateful artist,
I stayed and gave my best performance.
The video that's airing is really only a partial
representation of my artistic vision.
Here are a few of the audio edits I've made that
are featured in the vid that you're seeing:
* First, I had someone come to the studio and say
the following dialogue in French:
"Ryan. Wait for me. I'm not even ready! I can't
believe you're gonna leave me here...You're
driving me crazy - I can't do this anymore. Ryan -
if you leave - we're finished! YOU SPENT $3000 ON
A DRESS - don't you wanna see me in it?? Oh..ok -
fine... GO! Amuse yourself with the girls at your
show!! And if you think I'll be here when you get
back - THINK AGAIN!!"
* Second, I convinced Evan to do the voice-over of
my manager.
* Third, I re-cut my dialogue from the beginning
and added the sound of running water to enhance
the vibe of our bathroom conversation.
* Fourth, I added the sound of the door opening
before the video starts.
* Added a few horn stabs to parts of the
performance when I'm gesturing to the band to "hit
me".
* Put some applause at the end of the performance
scene.
* Added the sound of screaming girls, running
feet, more screaming girls and the car door
closing.
The lesson I learned here is that when you have a
strong creative vision - do everything in your
power to see it through. I am very thankful that I
have a video on TV. Many artists are still
striving for that milestone. Regardless, this
experience encouraged me to shoot another video as
well as an 11 minute short film based on "Diamond
Girl".
I will not stop.
R
Tags : ryan leslie diamond girl ns4life next selection nextselection |
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Affichage : 525201
Durée : 286 s |
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