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| Pink Vintage Pinup Girl Makeup- Ask Me Makeup |
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Contest details will be announced Monday 18th Feb
Makeup used in this video:
* Mac Studiofix foundation in NC30
* Mac Studiofinish Concealer in NC25
* Mac Blotting Powder
* Stila Moonlight eyeshadow
* Mac Bare Canvas Paint
* 1000 hour false eyelashes
* Napoleon Perdis Brown Eyeshadow
* Napoleon Perdis Cake Line Sealer
* Napoleon Perdis Sand Beige Shimmer #37
* Shiseido fine liner
* Lancome Hypnose Mascara
* Mac Dollymix blush
* Designer Brand Australia lip pencil (cheap $5
drugstore lipliner)
* Makeup Store Lipstick in Exit
* Chi Chi pink lipgloss
* Hot As Baby Pink Shimmer (try Mac's reflects
pigment)
Music is listed at the end of the video.
Tags : vintage pinup girl makeup pink askmemakeup mac napoleon stila old hollywood retro |
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Affichage : 99891
Durée : 388 s |
| Vintage John Stockton Video |
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This was made by KBlaze . . . it's Stockton in his
prime . . . people think he was in his prime when
the Jazz went to the finals, his prime was when he
was 15 PPG / 15 APG . . . yeah, that's right, 15
assists / game. Kidd never did that.
Tags : UTAH JAZZ NBA JOHN STOCKTON |
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Affichage : 128424
Durée : 256 s |
| Vintage Vladimir Horowitz Home Movie |
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This 1928 & 1929 home movie was fillmed in
Cincinnati, Ohio at the home of Dr. Karol
Liszniewski, my late father's (pianist David
Edward Smith's) music teacher.
Horowitz made his debut in New York in 1928 and
then came to Cincinnati for a concert with the
symphony and this home movie was filmed at a party
after the concert.
In 1944, music critic J. Harold Harder, writing
for the Toldeo Blade newspaper (April 17, 1944)
after a concert by my father, (who was then 19
years old) said :"The best title to give him is
the 'American Horowitz". See:
http://www.drslawfirm.com/toledoblade1944.jpg
See also 1951 review of David Smith's concert at
the National Gallery of Art, Washington DC where
critic Glen Dillard Dunn, of the Times-Herald said
his playing "belongs in the same category with
Solomon, Curzon, and even the venerable Arthur
Rubenstein".
http://www.drslawfirm.com/natlgallery51review.pdf
My father played Horowtiz's variations of Bizet's
theme from Carmen several times in concert to very
great reviews. I have the sheet music
(notes/fingering) he prepared. Horowitz's "Carmen
variations" was never published. My father wrote
and asked Horowitz for the music/fingering but
Horowitz declined, albeit respectfully. So my
father had an sound engineer at the college where
he was teaching in Oregon slow down the music so
he could listen to the notes. He then prepared
sheet music and played the piece. If anyone would
like a copy of this music I would be happy to
provide a copy. He said (my father) it was very
difficult to play. But I would love to see/hear it
played again.
Some of you have commented or e-mailed me as to
my father's style of play. A bit of history. David
Edward Smith, studied piano from the age of 12
(1936) until age 20 (1944) with Dr. Karol
Liszniewski of the Cincinnati Conservatory of
Music. What is no doubt lost to history is Dr.
Liszniewski's exceptional background and lifestyle
that so suited him to be a master teacher of the
piano. Born in Poland, in his youth Liszniewski
studied with Mikuli who had studied with Chopin.
After receiving a law degree he went to Vienna to
study with Leschetitsky, the great teacher of
piano. There Liszniewski fell in love with another
student (who was English)--Marguerite
Melville--whom he married. Liszniewski was then
involved in a duel--a matter of honor--and tendons
in his right hand were severed, ending his concert
career. Eventually he and his wife were both asked
to join the faculty at the Cincinnati Conservatory
of Music. My father became a pupil at the age of
12.
My father wrote in a letter: "All the Polish
celebrities knew Dr. Liszniewski (who speaks
Polish besides the Poles?). Arthur Rubinstein and
Mieczyslaw Munz often stopped by when they were on
tour. So did Rachmaninoff and Paderewski. I would
be allowed to sit right next to them--only inches
from the keyboard--to watch them practice by the
hour--preparing for their solo recitals and
concerto performances. They would give me lessons
and sometimes, when I was practicing in my room
upstairs, they would open the door at the bottom
of the stairs and yell such things as 'Practice
SLOWLY' or, for example, 'Who told you to do that
crescendo in the left hand' (I had done something
terrible, no doubt). 'That's good-don't ever
change that!' (What a pleasant surprise).
Sometimes they would come to my room to watch me
practice--stopping me to show better fingering, a
more beautiful interpretation, or how to solve
some difficult problem 'at hand'. To an artist
there is nothing quite so satisfying as the
solving of an 'aesthetic problem'."
Tags : Vladimir Horowitz piano movie |
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Affichage : 46394
Durée : 178 s |
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